Tag Archives: Artery Recordings

INTERVIEW: She Must Burn foray into fantasy with new record ‘Grimoire’

She Must Burn started gaining international attention after their self-titled EP was released in 2015. Since then they’ve gotten to do things that even long established bands would kill to do. They’ve shared the stage with the legendary bands Cradle of Filth, Carnifex, Fallujah and more. The UK band very recently released their debut full-length, Grimoire, and by the sound of the record and what bassist Frank Korsair has to say, it’s clear they are ready to dominate.

Continue reading INTERVIEW: She Must Burn foray into fantasy with new record ‘Grimoire’

NEED-TO-KNOW: Crystal Lake – ‘True North’

Crystal Lake‘s new record True North instantly tops the must-have list for fans of all genres of heavy music. It’s got the instrumental complexity that metalheads love, hardcore heaviness (“Six Feet Under”), killer metalcore vocals, and even electronic and rap influences. OK, we know some of you instantly got scared at the mention of the “R-word”, but trust us, “Hatred” is one of the best songs on the album.

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Hailing from Tokyo, Japan, Crystal Lake have made a name for themselves internationally with their first couple of records, and True North is going to push them over the edge. No matter how heavy they get, they are equal parts melodic and artistic, as exemplified by the title track on the new record. This is an example of a band whose cover art does their sound complete justice. Their most beautiful musical moments sound like watercolor brought to life.


If you don’t buy this album, you’re making bad choices with your life. It is nothing short of sensational.

 

 

 

 

Record Review: Spoken ‘Breathe Again’

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Breathe Again is Spoken‘s eighth studio album, and it definitely has the polished sound of a band so advanced in their career. This record is radio rock made heavy. It’s got the catchiness of an arena band and the edge of a grungy music hall outfit. Songs like “Hold On” could easily blare through your car speakers when you turn on your favorite hits station, while bangers like “Beyond The Stars” and the title track featuring Matty Mullins (Memphis May Fire) touch on the more melodic side of the hard rock underground.

With Breath Again, Spoken offers technical precision in their songwriting and true emotion in Matt Baird’s vocals. However, that same technicality and smoothness is both its greatest asset and arguably its biggest detraction. Depending on who you are, its glossy sound could be a slight deterrent or it could make the album alluringly accessible. Either way, you have to admit to the fact that Breathe Again is a well put together product. That being said, once you listen to a few songs, you pretty much know the direction the rest of the album will take.

On the whole, Breathe Again is a solid record, and one that you’ll want to listen to again, just maybe not one that will move mountains.

Three and Half Star Rating

Diehard Profile: Kurt Travis (A Lot Like Birds, Dance Gavin Dance)

Photo Credit: Michael-Rex Carbonell
Photo Credit: Michael-Rex Carbonell

I finally get hold of vocalist Kurt Travis (A Lot Like Birds, Dance Gavin Dance) after two of my calls to him go to voicemail.

“Screening my calls?” I accuse, jokingly.

“Yeah (laughs). I was like, who do I know [with a number] from Hackensack, New Jersey?”

Travis is sitting on the other end of this conversation in Sacramento, CA., home to both A Lot Like Birds and Dance Gavin Dance, as well as his recently established record label, Esque Records. It’s this hyper-involvement in the music industry that’s got us talking. Between being a vocalist for multiple prominent bands, putting out his own solo project, being a band manager and now owning a record label, Travis fits the HXC Magazine “Diehard” description.

You’re going on the 10 year tour for Dance Gavin Dance soon, right?

Yeah. A Lot Like Birds is playing. A band I manage called Strawberry Girls (Tragic Hero Records) is gonna be on tour. I feel awesome about it. I feel super stoked. A Lot Like Birds and DGD haven’t done a tour in a while and it’s mostly A Lot Like Birds’s decision. We kind of wanted to branch out and play with other bands other than like the homie bands…But now that we got to do some other tours—we played with Enter Shikari and Stray From The Path and the whole Warped Tour thing a few years ago—it just seemed like a good idea to do another Dance Gavin Dance, homie tour.

So since you’ve done vocals for both bands, will you be making appearances for both bands on tour?

Yeah. I’m supposed to do three songs with [DGD]. I’ll probably do four. They’ll probably get me to do another one. Jonny (Craig, former vocalist for DGD) is doing the same thing, that’s why Slaves is on the tour. (Laughs) I think he’s gonna be doing a few songs as well. It’s gonna be an easy tour for Tilian (Pearson, current vocalist for DGD). Maybe we should get Tilian to sing on some A Lot Like Birds stuff.

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You guys should just swap all your members.

(Laughs) Yeah, it should be really fun. I haven’t toured with DGD in a while and they’re always really fun to tour with. Ticket sales are doing really well, too.

You recently launched Esque Records, too.

Yes, literally like a month ago.

Why did you decide to start that up?

A lot of reasons. For one, I want something for when I can’t sing anymore. I don’t know when that’s gonna be, but you know, if my wife (Lauren Travis, web designer/public relations for Esque Records) and I have kids and I don’t wanna tour anymore…I’ve [also] toured so much that I’ve gotten the privilege to meet all these other bands and they always ask me, “Hey, what do I do to get big?” and I just kind of shrug my shoulders and say, “I don’t know, just keep doing what you’re doing.” So this is my way of helping other bands out and trying to get them where they wanna be. Also, when touring all over the country and even the world, you get to hear bands that open up for you. When I was younger I didn’t really pay attention much to it, but now that I’m getting a little older and I don’t drink and get fucked up as much, I’m actually paying attention to the talent that’s playing….and now I’m honestly listening to everything that people send me and show me and give me. And I just really want to help the music scene that has helped me. I figured a record label would be the perfect way to do it. Even though CD sales aren’t what they used to be in the decades before us, with the whole technology thing, I still think it’s a big representation, being on a record label. This band is on this record label. Well, why are they on that label? They take care of them and it’s like they’re part of their family. And that’s kind of what I want to have is a family of musicians.

“I just really want to help the music scene that has helped me.”

What kinds of bands do you want to support?

My first band that I put out, they’re called Floral, a two-piece instrumental math rock band. But honestly I’m looking for everything. I kind of want an element of each sound to be representing Esque. And that’s kind of why I named the record label Esque, because the word Esque [means] “to be like something”; my point being that if you’re a part of Esque records you are also like it, no matter what. Even if you are different, you are a part of it. But yeah, we have like, a throwback emo band, they’re called Lemix J. Buckley. We have a band that kind of reminds me of Lower Definition meets Chon, they’re called In Angles. I have an indie pop band called Rome Hero Foxes, and I’m looking to maybe sign a hip hop act. I love rap and hip hop and stuff like that. 

Any post-hardcore acts you think you want to sign? Since that’s where you came from as a musician.

There are some post-hardcore elements in In Angles. I manage a band that’s very post-hardcore, they’re called Adventurer, but they’re on Blue Swan Records and that’s kind of a sister label to us. They’re actually the first band that I started managing before I even thought about a record label. I got them signed to Blue Swan Records, and their demo is coming out pretty soon.

So you’ve been in a ton of bands, you manage other bands, you’ve started a record label. What keeps you so motivated to be so involved in the music scene?

Honestly, it is hard to stay motivated. It’s hard to keep the excitement level of anything going. You know, when you’re a kid, you get a new toy, you like it, like a Transformer—I loved my little Transformers when I was a kid—but they’d end up being at the bottom of the toy chest in a week. It’s hard to keep that spark alive, but honestly it’s the bands that I work with. I love every single second of music that they play and it really, really, really excites me to hear new music. So that always recharges me if I’m feeling frustrated…Also [the] fans. I try not to look at comments online just because it gets too overwhelming, but every now and then I’ll look up and see what they’re saying about my solo record or something like that and I’ll see a lot of good comments and it helps me get through it. It really does. This nice lady, she sent me a long Facebook message on my band page and just talked about how I got her through, and when times were hard for her she turned to my music and so that really keeps me going. Hearing things from people and seeing how much I’ve impacted other people. It’s very, very energizing and gets me right back on track if I’m in a slump. Music is definitely the thing that I think I’m supposed to do with my life. It’s been hard financially, mentally, even spiritually sometimes. Weird shit goes on and you just don’t know what to do, but at the end of the day you can look back on what you’ve done and be proud of it. Or even cringe, too. 

What are some cringeworthy moments for you looking back?

Oh god, they’re everywhere (laughs). Mostly my very first band, my high school band. I can’t even listen to that whole thing. I was in a band called Five Minute Ride. We actually got pretty big. There’s a lot of kids that still know about that band. I actually got the gig to sing for Dance Gavin Dance because of my old band….So even though it was cringeworthy, it definitely opened some doors for me. You know, you’re always more critical of yourself than other people are but it really is pretty bad (laughs). I used to sing kinda low because my voice was already too high and my band was like, “Dude, you’re singin’ way too high. You need to have a lower, grittier sound.” ‘Cuz it was like, the late 90’s and we really didn’t know what was gonna be popular. It’s weird, it’s super weird (breaks out into laughter).

What about some of your favorite moments?

Oh my gosh. There are so many. That’s the cool thing about having opportunities to tour around the world. I feel like I’ve lived a couple lifetimes already. I’m 31 years old, so I’ve got plenty more to go. But I really enjoyed the last European tour that I did with A Lot Like Birds…So yeah, looking back on the memories, just being able to sightsee with my homies, you know being able to go to like the Eiffel Tower. Those are some really cool memories. I still haven’t gone to Japan. I really wanna go to Japan. I’ve got a frickin’ Totoro tattoo on my arm. I’m really, really about Miyazaki films. But looking back on it, the memories, the sightseeing, being able to hang out with my bros–priceless. It really was.

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Interview condensed for clarity. 

Interview: John Ritter, Michael Swank of Myka Relocate

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While sitting at the bottom of the stairs in Webster Hall on the October 30th date of the Hate Me Tour,  we got to ask vocalists John Ritter and Michael Swank of Myka Relocate some questions about Halloween, some of their craziest life experiences, and their new record The Young Souls. The record had officially been released via Razor & Tie the day of this interview, as was headliners Escape The Fate‘s new record, Hate Me, via Eleven Seven Music.  Watch the video below to see what these dudes are like pre-show and learn about Swank’s alter ego, “Crop Top Mike”. Oh, and a dude in a red leather jester outfit walks through the video at some point, too. Unfortunately his jester hat is out of frame, but he was totally the star of this one.

Alesana Announce Spring Tour with Capture The Crown, The Funeral Portrait and More

Alesana have announced a tour for April and May of 2015. The lineup includes Capture The Crown, The Browning, Conquer Divide, and Revival Recordings labelmates The Funeral Portrait. Tickets are officially on sale.

4/3 Winston-Salem, NC- Ziggys
4/4 Louisville, KY- Expo Five
4/6 Allentown, PA- Crock rock
4/7 Millvale, PA- Mr Smalls
4/8 Worcester, MA- The Palladium
4/9 New York, NY- Webster Hall
4/10 Buffalo, NY- Waiting Room
4/11 Cleveland, OH- Agora Ballroom
4/12 Westland, MI- The Token Lounge
4/14 Lansing, MI- The Loft
4/16 Indianapolis, IN- Emerson theater
4/17 Joliet, IL- Mojoes
4/18 Minneapolis, MN- Amsterdam
4/20 Des Moines, IA- Val Air Ballroom
4/21 St Louis, MO- Firebird
4/22 Kansas City, MO- Aftershock
4/23 Denver, CO- Marquis theater
4/24 Salt lake city, UT- In The Venue
4/25 Orangevale, CA- The Boardwalk
4/26 Bakersfield, CA- Jerrys Pizza
4/27 West Hollywood, CA- Whiskey a Go Go
4/28 Tucson, AZ- The Rock
4/29 Phoenix, AZ- Joes Grotto
5/1 Houston, TX- Warehouse Live
5/2 Austin, TX- Dirty dog
5/3 Dallas, TX- Curtain club