I Hate Our Freedom have announced they will play Terra Firma in Brooklyn, NY on Saturday December 17th. The show is IHOF’s first in over two years and the punk display will feature bands Airstream Futures and Pulling Punches as well. Brooklyn’s IHOF is made of members who are well-versed in the post-hardcore scene: Joseph Grillo (ex-GARRISON) Justin Scurti (PRIMITIVEWEAPONS, ex-MILHOUSE), Scott Padden (PILOT TO GUNNER) and Matt Krupanski (ex-BOYSETSFIRE).
Whether you’re an old fan or if you’ve never heard them before but are in the NYC area, do yourself a favor and pop in. You’ll get a taste of punk, post-hardcore and emo from the U.S.’s major cities, from NYC to Philly to Chicago. Buy your tickets here and check out each band’s latest and upcoming releases (below)!
The moments we look for at HXC Magazine are the ones where band and crowd connect. We’ve said it before and we’ll say it a thousand times over: we don’t believe in barriers. This local Brooklyn show at Lucky 13 Saloon captures that spirit through and through. Check out some photos of Wastelands, Silence Equals Death, and Vice, as well as the killer pitters who make this scene dangerously fun.
When I first met Chef and metalhead Brian Tsao it was at his Heavy Metal Happy Hourevent on Friday the 13th (fitting, right?) at the Kimoto Rooftop in Brooklyn. I stepped into an elevator at the Aloft Hoteland as the attendant pressed the button that would take us more than 20 stories high, one of her fellow employees at ground level asked, wide-eyed, “How is it up there? Is it crazy? Are They smashing guitars?”
We did a lot in 2015. We photographed acts like Sworn In, The Plot In You, and Defeater and ranted to you about what we thought were some of the most fantastic records and some of the biggest flops. We got to chat with local bands and big names alike, from hanging out with Zoumé at punk landmarks on St. Marks Place to chatting with Mike Hranica of The Devil Wears Prada backstage at Mayhem Fest. Not only have we worked hard and had a lot of fun, but we’ve gotten the opportunity to see some amazing shows and meet inspiring people. After all that, we closed the year not only by giving you our Top 10 HXC Approved Albums of the year, but we also attended NYC-based metalcore band Surfacing‘s album release show at The Knitting Factory in Brooklyn. Check out some photos from the band’s set after the jump, and be sure to check out their debut record, Chaos Through Clarity.
If you had that conversation with someone, they would probably think you were being intentionally vague or even rude. But no, The Place is actually the name of a one of a kind venue in Brooklyn, NY. It’s the kind of place that, as Jack Sparrow would say, “can only be found by those who already know where it is”; or, by the signpost of kids in black band t-shirts standing outside.
To the unknowing eye, The Place is nothing more than a pizza joint/bar. If you’re a hardcore kid looking for a show, however, the employees will nod you through a door toward the hidden venue in the back, where DIY locals frequently go. The deep human-sized dents in the wall and the amount of bro hugs people give each other will tell you that this room has seen a lot of bands and a lot of familiar faces mosh through it. The wood floor and wood left wall will tell fans of The Ongoing Concept that it’s the perfect place for them to play some new tracks off their latest record, Handmade.
The album that takes DIY to a whole new level, Handmade is a title that describes the process of how TOC made their new work. In our interview with vocalist/guitarist Dawson Scholz, he tells the tale of how the band literally chopped down a tree to make all of the instruments by hand for their most recent tracks. It was in this room half made of wood with instruments entirely made of wood that The Ongoing Concept banged out new songs like “Unwanted” and “Soul” to something like 20 or 30 kids. The low body count was no matter, however, as the intimate number made for an up close and personal floor show. And for those of you who have never seen TOC live before (like I hadn’t), you don’t know up close and personal until Kyle Scholz is screaming wild-eyed two centimeters in front of your face with his shirt off and leaving a puddle of sweat at your feet. “I’m sorry if I sweat or spit on you,” he says calmly after a song. “I’m just trying to have fun.”
The band finished with crowd favorite “Cover Girl,” and the word “insane” does not adequately say all that needs to be said about these last few minutes with them. The whole room went berserk with kids unafraid of marching up to the mic and getting just as much in Kyle’s face as he was in theirs. The room reverberated with cries of “Stop being the print of someone else’s painting,” and the echoes of the end rang out.
As for the opening bands, Heroes and Outlands were two whose live performance stood out, showcasing great energy and crowd involvement. Heroes’ set brought the sense of community you crave when you think of local hardcore, while Outlands members bounced from wall to wall like an epic and chaotic game of pong. Despite having recently released a rather successful album, the energy dipped low and got pretty depressing during Dayseeker’s set. Lastly, on the whole, the attendance of bands whose sets had finished was rather spotty. There’s such a thing as show etiquette, folks. You stay for all the bands, not just one or two, and not just your own.
Overall, HXC Magazine‘s night at The Place was a fun reminder of why we became so dedicated to the hardcore scene in the first place. You don’t need a room with hundreds of people to make something special happen. You just need good people who aren’t afraid to get a little weird.
Webster Hall is a New York City music venue needing no introduction; a fact well-represented by the black-lettered “Most Tweeted Venue of 2014” printed above the entrance. Yet while many know of the neon-clothed ravers that attend the EDM shows held there, The Studio in the basement remains a haven for the hardcore. It is there in that dark cove of headbangers that we at HXC Magazine became aware of a person who occupies the venue as if he himself holds up the walls. Without fail, every time we attended a show at The Studio @ Webster Hall this person, to whom we affectionately referred as the “Kellin Quinn look-alike,” (so dubbed because the resemblance has affirmed my belief in doppelgängers) would be front and center. He became a fixture for us, a kind of skinny-jean’ed Where’s Waldo. Upon attending the Palisades album release show on January 6th and witnessing him hop on stage for a fierce vocal guest spot during For All I Am’s set, we learned his name is Christopher Tito, he is the vocalist for the NYC metalcore/post-hardcore band Zoúme, and he is an HXC Diehard.