Born Of Osiris, Betraying The Martyrs and Volumes hit Gramercy Theatre in NYC on June 25th as part of The New Reign Tour Part II. The bands had tons of new tunes to play and mullet wigs to wear (why?) and our very own Anthony Bello captured some of the best moments. Check out the full photo gallery right here!
The rambunctious, poetic, bouncy, and melodic Brits in Enter Shikari accomplished their mission to take us on a musical journey as we moved through highs and lows, covering a wide spectrum of emotion. From “Constellations” to “Mothership,” “The Paddington Frisk,” and an assortment of tracks from The Mindsweep, their electronic, energetic entertainment included a trumpeting Reynolds, a crowdsurfing amp with Rory Clewlow standing on it while playing, and Rory Clewlow walking across the VIP over the bar and into the stairs and seating in the back of the venue, amongst other shenanigans. Their live performance is guaranteed to keep you off your feet. Enter Shikari can make you move whether you want to or not.
Saturday the 24th, on a most pleasant October evening at the Gramercy Theatre, Stray From The Path unleashed their frenzied, opinionated brand of hardcore. Opening acts Deez Nuts, Major League, Being As An Ocean, and Comeback Kid had the crowd riled up and on their feet first.
As soon as “Outbreak,” Stray From The Path’s set opener, came on, fists and kicks started flying. The energy in the pit was nothing other than rabid and the atmosphere was violently endearing. There was a cozy, familiar vibe. The audience was having fun, and so was SFTP.
A little less than half of SFTP’s stage time was devoted to tracks from Subliminal Criminals, while the remainder was reserved for old hits. “Badge and A Bullet” and its sequel made the cut. So did “Bring it Back to the Streets,” as performed by Comeback Kid’s Andrew Neufeld and Stray From the Path’s Drew York. “Outbreak” and “Damien” were also in the mix. York was passionately moving and jumping around the stage, but his voice wasn’t projecting much. Every now and then he’d burst out of an almost mumble with furious and loud lyrics that reminded me of why I like the band in the first place. It was disappointing to not have him be as clear and enunciate as well as he does on record, but you don’t necessarily go to a hardcore show for the singing. The music is important and so is feeling comfortable letting out pent up anger. Stray From The Path deliver accordingly.
“First World Problem Child” was a crowd pleaser, eliciting shouts of “shut the fuck up” to assist York with the chorus. At every opportunity to get in on the action, the crowd was jumping over itself to reach an outstretched hand to the mic and add their voices to York’s. The evening ended with one more song, but it was Stray From the Path who offered to perform an extra one instead of the crowd demanding it. All in all, the performance suggests this is a band you want to see if you’re a fan of punishing pits along with loud and fast hardcore beats. It’s not a band you want to see if you are expecting them to sound like their recorded works, lyrically or even musically. The sound is much, much rawer live.
by David Marulanda
An acoustic guitar set, a 90s inspired grunge band, a hardcore band, and a pop punk act all played the same show Oct. 6th in New York City’s Gramercy Theatre. It felt like four different shows in one, or a really diverse variety show. Needless to say, I got nothing I was expecting.
Elder Brother–or apparently only the singer, Dan Rose, without the band–opened the Tuesday night show with acoustic guitar songs and some jokes while he tuned his guitar. Odd, because I was there for Defeater and I was expecting nothing but Massachusetts hardcore. As he began playing I braced myself for the worst, but Rose was definitely not bad. Elder Brother is worth checking out if you need some slower, softer music.
Superheaven, which can easily be called a Nirvana copycat, came on next with some catchy, grungy tunes. Nothing you haven’t heard before and I was getting restless for some heavy shit, not to mention the air conditioning was on full blast on a chilly October evening. I wanted to see movement.
Then Defeater came on fast and hard. Most bands don’t sound like their recordings during live performances. Defeater is no exception. Drums generally overpower vocals at live events and sometimes the vocals suffer without the magic of post-production. Defeater is an exception in this case. This was one of the best performances I have seen. Derek Archambault’s impassioned screaming was loud and clear. His voice took over the Gramercy and commanded the crowd’s attention and movement. The drums, which sometimes seem like a distant background on their digital tracks, crashed and battered through the rhythmic guitars louder than expected. Drummer Joe Longobardi was mesmerizing by himself, enjoying the moment and lost in his own little world of a drum kit.
Aside from being harder and stronger live than through my headphones, the visuals greatly added to Defeater’s performance. Archambault was like an angry Energizer bunny two-stepping, hopping around non-stop, and crushing the airwaves with a powerful, bewitching voice in front of a mock stained glass church window. The lights transitioned red, yellow and white adding a churchlike perspective to their set, about half of which was composed of songs from their latest album, Abandoned.
Following the awe-inspiring Defeater came Boston pop punk headliners, Four Year Strong. The crowd had grown during the break between bands and was itching to leave its feet. In my experience, the unlikeliest bands cause the most ruckus. Song after song the crowd surged and jumped and thrashed as intensely if not more so than at a heavier band’s show. They, like Defeater, are much better live. You could feel the connection between band and audience and it was contagious. I couldn’t help but like what I was seeing, even though I don’t like pop punk.
This is a tour you don’t want to miss if you want a show experience unlike what you’re accustomed to. At the very least, come for Defeater and witness one of the best hardcore bands currently out there.
Review by David Marulanda. Photos by Alexander Chan.
Before Northlane took the stage at Gramercy Theatre on August 20th, we caught up with bassist Alex Milovic to ask him questions about new album Node, Egyptian mythology, and his favorite places to tour in the US. (As there is no video allowed in the venue, we had to do this one in yet another doorway.) Check out the video interview below and be sure to give Node a listen if you haven’t already!