A few weeks ago we gave you a list of 10 Things You Do Pre-Show, from freaking out over buying your ticket to rocketing through the ceiling like Family Guy’s Peter Griffin when you’ve had one too many energy drinks. But just as important as your pre-show rituals are your post-show ones. That’s what this list is for. Let us see if we can pinpoint exactly what goes down after you and your friends leave the venue.
1. Immediately begin repeating the phrase “That was fucking awesome.”
2. Head to the merch table and buy all the things.
3. Whether it’s those 99cent Iced Teas or some Gatorade, you get your hydration on like you’ve spent a week in the Sahara.
4. Make your way to the same IHOP, McDonalds or Denny’s you’ve been going to post-show for the last five years.
5. Run into people from the show you just came from at said IHOP, McDonalds or Denny’s.
6. Instagram, Instagram, Instagram.
7. Compare notes about the bands you saw.
8. Start obsessively researching that one opening band that was surprisingly awesome.
9. Fall in love with this new band and vow to see them next time they tour. You’re gonna be the reason they make it big.
There has been increasing talk of the lack of women in the hardcore scene lately. Yet for all the talk, there doesn’t seem to be adequate exploration of why this is so or of what’s truly going on here. Relative to other rock genres like metal and alternative, hardcore seems to be the most homogenous and male-dominated of all. The reasons for this phenomenon may be far and wide, but I’d like to point to one particular issue that I’ve noticed in my years of listening to post-hardcore–the lyrics.
YouTuber Jared Dines hilariously sums it up in one of his satirical videos of the scene, “10 Styles of Metal.” A few seconds into the video, when the genre title “POST HARDCORE” holds above his head, Dines elucidates in unclean vocals: “My girlfriend broke up with me/ I’m really upset about it/ It’s really my own fault/ But I’m gonna blame her.” While saying that all post-hardcore bands sport the same lyrical content is an overgeneralization, any fan can laugh at how common and, for the most part, accurate Dines’ criticism actually is. Women tend to be given a certain symbolic status of vixen or betrayer or, like in a recent Ice Nine Kills music video, succubus.
Personally, I love the music metalcore band Ice Nine Kills make, but I’ve got to admit that the video for “The Fastest Way To A Girl’s Heart Is Through Her Ribcage” is troubling. It’s become so commonplace now that we no longer realize it, or if we do, we let it pass by us as mere fact–the idea that woman is the downfall of man. In this particular case, a (sexually) voracious female demon that we watch vocalist Spencer Charnas brutally kill is the subject matter. Coupled with lyrics like “You’d be just as sexy bleeding,” this visual takes the trope to a more obvious extreme. While some of you out there may argue “it’s just a music video” or “you’re taking this too seriously,” I’d like to suggest that sometimes the effects outweigh the intent. Do most guys approach their actions or the art they make with the explicit idea that they’re going to villainize women? I’d like to guess not. But the unconscious ideas are there and they keep getting nonchalantly perpetuated, and in this instance, as an INK fan, become alienating to me.
Perhaps the very icon for this kind of behavior is British powerhouse Asking Alexandria; or, to get right down to it, ex-frontman Danny Worsnop. The cover art for the band’s latest album From Death To Destiny is a prime example of the female figure being reduced to a purely sexual and symbolic role for the male frontman. In the image (above), the woman is placed naked in a vending machine at the male rock star’s disposal should he have a few bucks on him to spare. She is a resource of pleasure for him, an object. In short, she is dehumanized. Take virtually any strand of lyrics from Asking Alexandria over the years and you’ll find something similar. Again, AA is a band I’ve enjoyed listening to musically for a while, but lyrically it’s hard to escape “I knew when I first saw you/You’d fuck like a whore” (“Not The American Average“).
On the more pop-oriented side of the post-hardcore spectrum, Falling In Reverse‘s music video for “Good Girls Bad Guys” gives us yet another example. In the video, a car pulls up and lets attractive women out of the trunk, parading them around on a kind of catwalk for the men on the set. Their only value in the space of the video is as beautiful objects; commodities that give the men their successful, masculine status. These women are only here for the purpose of reflecting the male ego back on itself in a positive light.
This editorial isn’t here to call out anyone specifically, or even to call out men in general. “Men = bad, women = good” isn’t the idea here, and hardcore/post-hardcore/metalcore aren’t the only genres that have issues with representation of women. Rather, the purpose of this article is to call out a prevailing attitude that I think needs some reevaluation; the attitude that, to quote Laura Mulvey, “Women are bearers of meaning, not makers of meaning.”
For me, this is the link to creating a “Women of Hardcore” serial. There needs to be a shift in perspective. By collecting interviews with various female talents in the scene, we want to emphasize these people as active contributors to music and music culture, and hopefully, show other fans of hardcore–female and male–that there is a place for them, too. So let’s go make some meaning, regardless of your sexy parts.