Born Of Osiris, Betraying The Martyrs and Volumes hit Gramercy Theatre in NYC on June 25th as part of The New Reign Tour Part II. The bands had tons of new tunes to play and mullet wigs to wear (why?) and our very own Anthony Bello captured some of the best moments. Check out the full photo gallery right here!
Sumerian Records are celebrating their 10th anniversary by putting on a legendary tour called 10 Years In The Black. Headlining the tour is Asking Alexandria, which is huge for the reason that this is the first tour in which original vocalist Danny Worsnop is reunited with the band (Danny’s departure was announced in January of 2015). This tour had support from Born of Osiris, I See Stars, After The Burial, Upon A Burning Body, and Bad Omens, who are all signed to the label as well.
Photo Credit: Sean Sullivan
If there is anything better than hardcore it’s puppies, and if there is anything better than puppies it’s finding a way to help puppies that are in need. Enter Kevin Oakley, local NJ show host, fervent hardcore kid and animal rights activist. If you’re part of the New Jersey Hardcore Facebook group, you’ll know him as one of the guys who posts almost every other day. If you’re part of the local show circuit–band or fan–you’ve heard of his mission before. If not, here’s your chance to meet him and get ready for his next Mosh For Paws show on September 23rd featuring acts Suburban Scum, Maximum Penalty, The Banner, Friend Or Foe, Steel Nation, Laid 2 Rest, Jukai, and Threat 2 Society at Mexicali Live in Teaneck.
Oh man, oh man, oh man. It’s that time of year again. We caught the Holmdel, NJ date of the 2016 Vans Warped Tour and had the good fortune of watching, photographing, and moshing to bands like Every Time I Die, Old Wounds, Capsize, Ice Nine Kills and more! Check out some of our shots from that hot, hot day and see you punks again next year!
GRAMERCY, NYC – The Road to Bands VS. Food Tour may have been an odd tour title, but named an unforgettable night (April 23rd). Featuring the bands Sworn In, Wilson, Miss May I and We Came as Romans, the line-up was diverse, but oh so satisfying. Starting with Sworn In definitely got the room going wild, especially the crowd killers. Tyler Dennen (Vocalist) fueled the audience as everyone raised their fists and yelled the lyrics with him. When the song “Sunshine” kicked in it got real. Coming down into the crowd, Tyler became surrounded as he continued to scream out the words along with everyone else. It was an epic moment and a great turnout since Sworn In’s previous New York shows were filled with technical issues and illnesses. Luckily their curse was broken and they were able to put on a sick opening to the night.
When you go to a date of a big headlining tour with hundreds of other people in the room and a stage yards away and above, you can have tons of fun. But spending a whole day in a small room of locals where everyone knows each other and bands and fans share the same graffitied floor is a different feeling altogether. You’re not there for a show anymore, you’re there because you’re a bunch of people who connect through loud sounds and spray painted walls.
In the cozy, dim, musty room known as The Studio at Webster Hall, a frenzied soldout crowd gathered on December 12th to let loose and blow off steam to the varying hardcore sounds of Kublai Khan, Fit For An Autopsy, Counterparts and The Acacia Strain on their Tune Low Die Slow Tour. Leaving out the inefficiency of the venue’s staff, which kept concert goers waiting to enter for over forty five minutes, The Studio is the perfect host for shows like this. There was no shortage of stage climbers, crowd surfers and mic grabbers. The low, crowded stage and the lack of barricades help make shows here intimate, family affairs…
In the cozy, dim, musty room known as The Studio at Webster Hall, a frenzied soldout crowd gathered on December 12th to let loose and blow off steam to the varying hardcore sounds of Kublai Khan, Fit For An Autopsy, Counterparts and The Acacia Strain on their Tune Low Die Slow Tour. Leaving out the inefficiency of the venue’s staff, which kept concert goers waiting to enter for over forty five minutes, The Studio is the perfect host for shows like this. There was no shortage of stage climbers, crowd surfers and mic grabbers. The low, crowded stage and the lack of barricades help make shows here intimate, family affairs.
My night began with Kublai Khan, although local New York band Newcomer was supposed to have played ahead of them. I will never know. The opinionated Texan band named after a merciless Mongol emperor blasted their hopeful message of change and togetherness without over-the-top showmanship. As much as I love watching manic stage antics, Matt Honeycutt’s (vocals) onstage presence is enough to hold anyone’s attention without it. This band is about what needs to be said, and Honeycutt says it well. Bodies went flying and when Kublai Khan performed “Color Code” there could not have been more energy flowing through The Studio.
Fit For An Autopsy came on next and the room could not have felt smaller. The eclectic combination of deathcore blast beats and melodic death metal grooves saw the pit expand and consume the vast majority of the space. You could feel the anger radiating from it and the stage. There was no room in The Studio for anything other than the palpable disgust in humanity that is a mainstay in FFAA’s music.
Fit For An Autopsy’s endurance is remarkable. Joe Badolato (vocals) steadily released thunderous low growls as his bandmates furiously played their speeding instrumentals through the set with minimal pauses, one of which was to call a fight that had broken out as “pussy shit” that no one wanted to see, and another to announce “Out to Sea” to a cheering crowd.
The cheers continued as the lively, bouncy Counterparts excited The Studio with their relentless energy and upbeat sounds. I didn’t know what to expect from the Canadians, but I wasn’t disappointed. Their metalcore sounds were in cheery (well, cheerier) opposition to the lower, heavier bands before them. The most impressive aspect of their set was the crowd’s insanity. I can’t remember the last time I saw a band that wasn’t headlining make the entire venue move.
The crowd turned it up almost to the ceiling when Massachusetts deathcore veterans The Acacia Strain unleashed their hopeless, godless and ruthless auditory punishment. Vincent Bennett (vocals) lugged around the stage with an empty, crazed stare spitting up and down, throwing water on the crowd. When he spoke between songs he sounded honest and caring. During songs, he was the embodiment of hate. When he bellowed, “I am the end of the world,” he was surrounded by fans on stage shouting it as rabidly as he was. Other songs played were recent and old favorites including “JFC” and “4×4” as well as songs from Coma Witch. When you’re only playing hits the crowd, will always lose their shit.
Bennett walked off stage leaving the rest of the band to cool down the crowd with instrumentals. As I walked out I passed a guy with a blood-covered fist showing a friend, claiming none of the blood was his. That’s what an evening in a cramped room with hardcore bands will do to you. The tour is now over, but three out of the four bands are on the rise. Keep an eye out for Kublai Khan, Fit For An Autopsy, and Counterparts while you continue enjoying The Acacia Strain.
by David Marulanda
This Sunday, December 13th, the non-profit organization If I Die Young will be holding a benefit show called ‘Let’s Move Cities‘ at the Foxhole Lounge in Berkeley Heights, NJ. The show will feature bands like Something More and In Theory as well as guest speakers to bring awareness to subjects like addiction, self-harm, suicide and depression. If you’re in or around the area this weekend and are looking for something fun and worth while to do, go see some live music and support a good cause.
Kevin Barnett (founder / president of If I Die Young)
Dan Gray (sponsored skater of Wisdom Skateboards)
Molly Hudelson (founder / editor-in-chief of Circles & Soundwaves)
A graduate of Teen Challenge Philadelphia
Both Cane Hill and The Plot In You dropped new albums in the past few weeks, and both hit the stage on the second day of Loud Fest in Freehold, NJ this past weekend. Photographer Justin LaMot was able to capture some of the magic, from The Plot In You’s “My Old Ways” to Cane Hill’s “Time Bomb.” Check it out!
Photos by Justin LaMot