Tag Archives: michigan

Turncoat Talk Hardcore, Local Detroit Scene, Rick & Morty

First of all, thank you Austin, Jim, Keith, and Nick for taking the time to chat with HXC Magazine. Congratulations on the self-titled EP. We love it and we can’t wait for more.
What else is in the works for Turncoat, you guys as individuals, or both?

Continue reading Turncoat Talk Hardcore, Local Detroit Scene, Rick & Morty

RECORD REVIEW: Turncoat – Self-Titled

Detroit is still producing American made things these days. The latest export from the Motor City is a boiling maelstrom of old school hardcore for today’s problems. Turncoat is true to the ideals of the scene holding nothing back in their self titled debut EP. The need for self-respect, hard work, and honesty is thrown in your face, while the disenchantment in the delusion of the American Dream is shoved down your throat.

Continue reading RECORD REVIEW: Turncoat – Self-Titled

Need-To-Know: Vesta Collide

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Vesta Collide, a five-piece metalcore act from Detroit, have just signed with Stay Sick Recordings and released a music video for their song “VII”, and they’ve certainly caught our attention. “VII” moves from heavy, early-Asking Alexandria type riffage and unclean vocals to ethereal melodies to eerie synth embellishments, and does so pretty seamlessly. Check out the music video below to listen to this new sick jam and definitely keep an eye on these guys and the rest of the Stay Sick bands!

Want MORE Vesta Collide? Check out the lyric video for “Moondancer” HERE.

Record Review: We Came As Romans (Self-Titled)

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The fourth full-length record from the Michigan group We Came As Romans hits almost all the right notes. The band’s self-titled touches on some of the major themes of life: identity crises, falling in and out of love, and the ever-changing nature of the world as a whole. Some pretty heavy stuff, but We Came As Romans have never shied from heavy topics.

Musically the album showcases a broad range of styles. There is, of course, the traditional hardcore screaming over thumping guitar riffs and pounding drum beats. But they also incorporate pop punk elements, repetitive choruses and a strong electronic tone that hums throughout the album. It’s a range that works well.

In “Flatline,” the opening verse gets crooned out with a whiny Tom Delonge-inspired voice, hitting a pop punk high note that carries throughout the album. The song “Who Will Pray” juxtaposes a deep life question (“If I fall too far, disappear in the dark/ Who will pray for me tomorrow?”) with some computer licks that could feel just as at home in an Imagine Dragons song. “Defiance” also starts with electronic strumming, seeming particularly influenced by early-2000s Linkin Park. But We Came As Romans’ use of metaphors sets them apart. In the second verse of “Defiance” they sing, “Ready to contend, ready to withstand/ Open up these walls built to keep you out/ Nothing you say can make me give up/ I’m persistent like a river cuts through a rock.”

While WCAR pepper the album with electronic beats and synthetic sounds, it never becomes too much. The self-titled’s electronic undertone helps keep a continuous theme as the songs jump from semi-ballads like “Memories” to full on hardcore affairs like “Regenerate.” It works as a unifying theme and helps make the album cohesive, even though they pull from all corners of the rock world for each song. It’s a solid album, and a great addition to We Came As Romans’ discography as a whole, but not the second coming of the rock gods.

by Maria Spiridigliozzi

Three and Half Star Rating