Atmospheric metalcore had a night at Gramercy Theatre in NYC last Thursday, August 20th when Northlane headlined a show with supporting acts Like Moths To Flames, In Hearts Wake and Oceans Ate Alaska. When he wasn’t busy shaking things up in the pit, photographer Alex Chan was on the scene snapping photos of the Aussies in Northlane and the Ohio gents in LMTF. Check out the gallery below!
You never really know what to expect when you walk into an interview. Whatever your expectations may be, however, I doubt you would expect to walk in on your interviewee casually reading a Fyodor Dostoyevsky novel that would seriously hurt if someone decided to use it as a weapon. Meet Mike Hranica, vocalist of the well-known metalcore band The Devil Wears Prada, and avid consumer of Russian literature.
But intimidating books are not all he talks about. In this interview with Hranica at the Holmdel, NJdate of Mayhem Fest 2015, we discuss the band’s upcoming Space EP and why the Zombie EP remains so important, starting out in skate parks, and, if you’ve ever wondered what TDWP would look like as comic book characters, you may not be wondering for long…
Miss May I have released a single from their upcoming LP Deathless, and it certainly packs a punch. The new song entitled “I.H.E.” starts off strong and intense with biting screams and edgy riffs. After listening to “I.H.E.”, it seems as though the Ohio metalcore band have returned to their heavier roots. The vocals, both clean and screaming, are raw and ruthless. About two and a half minutes in, a quick but satisfying guitar solo brings us back to the chorus, chanting “I hate everything, I hate everyone” and closing the song on a powerful note.
Singer Levi Benton’s words about the upcoming LP gives fans of the band something to be excited about. In a recent interview with AP, Benton said the following about Deathless:
“This record is about how the last two years have tested us on many levels and how we have come through it all stronger and better. That’s where the title comes from, because we are deathless.”
Deathless is currently available for pre-order on iTunes and will be released on August 7th. You can also catch Miss May I on Warped Tour this summer. Stream the song below and let us know what you think in the comments.
by Kelly Fay
Deathless Track Listing:
01. I H.E
02. Trust My Heart (Never Hope To Die)
03. Psychotic Romantic
05. Bastards Left Behind
07. Turn Back The Time
08. Empty Promises
09. The Artificial
10. Born From Nothing
The following is the first interview in our ongoing serial “Women of Hardcore.” For more from the serial click here.
After a morning of speaking on panel, loitering in empty bars themed after literary eccentrics Oscar Wilde and H.P. Lovecraft, and meeting with an artist for a friend’s tattoo consultation, I remember it’s almost time for my interview with Katie Cole, drummer of Ohio band Dangerkids. Stranded in the lower east side of perhaps the loudest city in the world, I try to find a quiet place. The bar I end up in is playing music and has no service. Turning the corner, I cubby myself in the frame of the backdoor to protect Cole’s answers from the wind. There, she tells me all about the upcoming Dangerkids record, the band’s recent tour in Europe, and how to laugh it off when dudes think you’re the drum tech and not the drummer.
First thing’s first, I apologize for New York City’s screeches.“It’s okay,” she assures me, “I was just in the weirdest place ever. I was trying to find a quiet place too. I went into this coffeehouse; it was so loud and no one spoke English.”
“Where are you?”
Though the drummer is back at home, she and her bandmates recently ended their European tour–where you’d actually expect a coffeehouse to be filled with non-English speakers.
“What was your favorite place you visited?”
“Scotland. Just ‘cuz everyone there’s crazy. They just like to party and have fun.”
Anyone who has heard Dangerkids’ debut record, Collapse, knows that fun is a big part of the band’s M.O. I tell her how the first time I saw the Rise Records band, they were opening for We Came As Romans in NYC. We all know that opening bands can be pretty insufferable, but Dangerkids were so assured and animated they nearly stole the show. It’s a refreshing change of attitude in a scene where bands can take themselves too seriously.
“I get excited to play any time,” she says, “so I smile the whole time. We all get really pumped.”
“During that night’s set over a year ago, Tyler (Smyth, M.C.) said something between sets about not letting anyone tell you you can’t do something, especially because of your gender. Do you have any personal experience with that?”
“I honestly don’t get as much hate as I ever expected to,” she admits. “Obviously there are some people who will judge you or think you’re not gonna be good at what you’re doing because you’re a girl, but I don’t see it too much. Most people who hate the most on it have never even listened to us or haven’t even seen us play. I feel like after people watch us they don’t tend to hate on it as much. A lot of people think it might be a gimmick or something like that, but they tend to respect it after we play.”
I share with her that when I go up to band members after shows, sometimes guys automatically assume I’m a groupie.
“Yeah, God I hate that! No, that’s so crazy. I’ve seen that so many times and it makes me so angry. People always think that I’m doing merch or that I’m a drum tech or something. That was the funniest thing. We played this show and I was sitting on my drums, about to play, and one of the sound guys on stage was getting so angry. He was just like, ‘Where’s the drummer?!’ And I’m like, ‘I’m the drummer. I’m setting up my stuff…’
“He didn’t even know you were in the band?”
“Exactly. No one ever thinks that when I’m setting up my drums. They’re just like ‘Oh, she’s just setting them up.’
“That’s kind of cool though, on the other end of it, because you get to surprise them.”
“Yeah. I don’t let it bother me. I think it’s funny.”
“That’s a good attitude to have about it.”
“Yeah, you should be that way too.”
Interrupting the interview, an old, unshaven man hobbles by and stops to talk to me about some nonsense. I point to the phone. He keeps talking until finally, my frantic hand motions are enough to shoo him away. I return to Cole in my ear, talking about playing Rock On The Range on May 15th. “Other than that [we’re] just finishing the album,” she says. “Once we get that done we’ll be able to play a lot more shows.”
“What can you tell me about the new album?”
“I really really love it. I love the direction that it’s going. It just sounds more like Dangerkids. We’re developing into our own style. There’s a lot more radio rock, a little bit less screaming. But it’s really cool, I feel like anyone can get into it.”
“What was one of your favorite songs off your first record?”
“One of my favorites is ‘Cut Me Out.’ That’s one that a lot of people don’t really know; it’s not one of our big singles. I really like that one, it’s really fun to play on drums. ‘We’re All In Danger’ is probably my favorite to play on drums because it’s so fast—it’s exhausting.”
“I know you said the new record is going be more radio rock, but is it still going to be that fast-paced vibe that we got from the first album? Or is it gonna be totally different?”
“There are a couple heavy ones that if you’re into heavy music you’ll be like (she cheers). There’s also a couple really fast songs. We actually opened with one of them when we were in Europe. So it’s got a lot of similar stuff as the first record. I think anyone that liked that record will definitely love this next record.”
Wrapped in what she’s saying, I hardly pay any mind when someone bursts through the backdoor I’ve been sheltering in and slams my body off onto the sidewalk. It’s also warm enough outside that the ice cream trucks are on patrol and sounding their creepy songs down the street. Note to journalists: Avoid this situation at all costs.
With a finger in one ear I concentrate on Cole with the other as she begins to tell me more about her touring experiences.
“Our first tour was with Sleeping With Sirens. The first show—I think it was in Atlanta; it was at the Masquerade—we went on and in the middle of our first song [“Countdown”] the track cut out. It ended up being okay, but it’s always really scary when that stuff happens.”
“Who are your favorite bands to tour with?”
“Sleeping With Sirens is really fun to tour with. I really like We Came As Romans. We toured with Silverstein too which I thought was really cool ‘cuz that’s one of the bands that I used to listen to all the time.”
She pauses, then adds, “I don’t really listen to a lot of heavier bands. I’ll check them out and I like it, but I usually listen to pop and emo music from back in the day.”
“What other bands do you listen to from back then?”
“I love The Used; they were one of my favorites. I was obsessed with Green Day when I was younger; they got me into everything. Taking Back Sunday…any band like that. But The Used is definitely my favorite. I love Underoath too, they were great.”
We bond over the importance of Underoath for a minute. “Aaron Gillespie is my favorite drummer,” she says. “I really looked up to him for a long time and he kind of helped my style develop. He just plays interesting things. I’ve never seen someone play the types of beats that he plays, and he has so much energy live. He’s really fun to watch.”
“Favorite Underoath song?”
She goes with the anthem, “Reinventing Your Exit.”
“How would you describe Dangerkids in one word?”
Cole struggles for a moment. Finally, she comes to an answer. “Motivational,” she chooses. “A lot of our songs are about getting through tough times. It’s crazy how music can do that. I’ve always really liked sad music and film scores. If I’m ever feeling down, I listen to that kind of stuff because you just feel it so much. If I’m not doing that I’ll listen to Kesha.”
“People always take very different views of the saying ‘Music saved my life.’ Where do you stand on that?”
“I feel like my whole life basically revolves around music. If it wasn’t for music I wouldn’t be playing drums, or be in a band, or doing anything that I love, really. I’ve always loved to be able to travel and play for people. I don’t know what I would do if I didn’t have music. So I think that’s definitely true for me. I think it’s true for everyone in the band.”
Before hanging up, she turns back to the film score question and divulges that her favorite soundtracks are from Titanic and Forest Gump. Last words?“Hans Zimmer is dope.”
Expect the release of Dangerkids’ sophomore full-length record sometime this summer.
Hawthorne Heights have been a band for about a decade now, and like many other bands their age have decided to mark the achievement with a 10 Year Anniversary Tour of the record that started it all. Unlike other bands in the emo, punk, or post-hardcore genres, however, we made them celebrate by dramatically reading TLC lyrics before the show. Ohio may be for lovers, but Staten Island is for interviewers who like to laugh at your expense. Watch the interview below to hear more from the band about DIY music making, whose first show was Nirvana and whose was New Kids On The Block, and why it’s all about the fans.
The Dayton, Ohio five-piece released their debut album Collapse via Rise Records in 2013, ushering in a new kind of energy and excitement to the world of electronically influenced post-hardcore. Currently on tour in Europe, Dangerkids found the time to release this music video for the eponymous track “We’re All In Danger.” As far as story goes, this video doesn’t seem to offer a whole lot of explanation, but the quick cuts and unsteady shots do justice to the frenzy of one of their live shows. If you don’t know Dangerkids, you will after this.