Tag Archives: The Browning

The Browning Announce New Album ‘Isolation’

Electronicore band The Browning have announced details for their new record Isolation, due out June 24th via Spinefarm Records. The band’s new track “Pure Evil” is already available for streaming (and is super dance-y) and the download for it comes with your pre-order of the record. Read more to view the album artwork, track listing, and upcoming tour dates!

Continue reading The Browning Announce New Album ‘Isolation’

INTERVIEW: Zachary Scott of It Lies Within

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How’s the tour going so far?

The Fear No Evil Tour is actually going really well. We’re definitely stoked to be down here in Florida for the tour, for the most part [the bands are] coming from Michigan and Pennsylvania. The crowds are going great. It’s a great end of the year for us and we’re having a lot of fun.

Awesome. Your new album Paramount comes out in a few weeks, too. How are you feeling about it?

It’s a crazy feeling because it’s been such a long time in the making for this album. The most member changes and just kind of being busy on the road so much. We’re just excited that it’s finally done and completed and we can’t wait to show the world, honestly. It’s cliché to say, but it’s honestly some of our best work and we have the best member lineup we’ve ever had right now. So words cant express how excited I am.

It’s been a few years since your debut album Chrysalis came out. What have you been doing in that time?

Basically, we’re a touring band. Anybody that does know anything about us would know that we’re constantly on the grind and for those that don’t know, basically we just try to tackle a different message throughout the industry and more staying on the road and playing constantly. We played over 180 shows last year, and we’re on our way to 140 this year, also hitting another country and going overseas for the first time. We’ve just been taking a different route, and again it’s primarily due to the member changes. We just wanted to make sure everybody felt good and really felt like they were a part of the album. I call it “the dream team” now. We’ve had our most solid lineup for over a year, adding our newest member, the old guitarist of the band Deception Of A Ghost (Kyle Dameron) to the band now. So we’re just really excited and we’re continuing this year like we would normally, just playing shows and touring out the year. And we’re gonna start [2016] with a new album.

I watched your new music video for “Ecdysis” and I’ve got to admit I had to look that term up. But it’s like a molting process, the shedding of an outer layer, right? So, in relation to the album title Chrysalis, what does this new song title and this new album mean for you?

We have a scene. We have a niche that we’re trying to work on. I think it’s something that’s important for every band to have and I think we’ve found that. And we’re a positive message band, you know, so the message we try to portray is we all have darkness inside us and we have to shed that skin. Chrysalis is kind of about that cocoon that you’d always be in and trying to break out, and [Paramount] is more about shedding out of that–breaking out to the top. The video was the latest song we wrote on the album, and we had most of Kyle’s influence on that, being the new member, so that’s definitely one that we wanted to start off with strong.

Do you have a favorite track off the record?

You know, I have a few to be honest with you. There’s a couple that just really equal out. “Starscream” is up there. I really like the song “Light The Way,” and the whole album is just awesome. There’s not a stagnant song. I don’t feel like there’s any fillers in the album just to get by. Every single part in the album is just exciting, and the way we put the album together, the way the songs flow, it’s just like a constant elevation. It’s like a fun roller coaster ride.

How does this album compare, in terms of sound, to your first album?

That album came out almost four years ago now. We’ve always been a metalcore band, but we were more influenced by bands like As I Lay Dying, All That Remains, and back then those bands were powerhouses. Those were the bands that motivated us to actually start this band and do what we’re out here doing, especially spreading a positive message. So I would say we’ve come into our own, having a new vocalist, Erik Mckay (bass/vocals), he’s just got some amazing clean vocals so we’re singing a little bit more on this album. And with having co-producer Jonny McBee from The Browning on it, obviously you’re gonna get that electronic element coming from him and I think he’s one of the best in the game. So we were really excited to collaborate with him on that. We wanted to just open the doors to new audiences. We didn’t want to keep this one narrow focus.

You mentioned The Browning. You also have members from The Word Alive and Fit For A King on this record. How else did that affect your sound?

This is the first time we’ve ever had guest vocalists on our album. And again, being such a long road between albums, we’ve just done so many things and accomplished so many things including rubbing elbows and hanging out and meeting these cool people that we looked up to. To be able to have Ryan Kirby (Fit For A King), Telle Smith (The Word Alive) and Jonny McBee (The Browning) on our album…them supporting us and believing what this album can do–it feels really good to have that backing. We’re just really excited for what 2016 has for us because the sky’s the limit and we’re definitely not going anywhere any time soon. It’s been a long, long, hard road for us. We’re definitely ready.

If you had one wish for 2016 what would it be?

Warped Tour.

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Paramount comes out 1/8/16. Preorder it HERE.

Alesana Play Webster Hall 04.09.15

Photo by Alexander Chan
Alesana; photo by Alexander Chan

Dear Capture The Crown, we’re glad you’re still alive.

But let’s start from the beginning. Alesana hit NYC’s Webster Hall on April 9th, almost a year to the day since the last time they played The Studio with Get Scared in 2014. Taking the larger Marlin Room upstairs this time with support from Capture The Crown, The Browning, Conquer Divide, and Revival Recordings mates The Funeral Portrait, the headliner’s cult status was never more obvious. Translation: Alesana don’t need space. No matter how many albums the sextet record, they will always be better suited to claustrophobic basement dens, partially because they’re such a niche band and because their live performance feeds off of the intimacy between artist and fan. Unfortunately, some indie folk band needed The Studio that night, so all the hardcore kids had to deal with awkwardly spacious mosh pits, which was essentially like popping a balloon with too much air.

Despite the yards of empty floor, openers The Funeral Portrait were able to get the crowd moving. In a peculiar but striking brand of showmanship, vocalist Lee Jennings fled the stage like he was wanted in four states before the last note could hold up a search warrant. But before making his hasty exit, Jennings hopped onto the floor to sing a chorus or two with the crowd and held “story time” with his “readers” on bended knee. While many bands in the scene like to put the audience on their knees to reinforce some sort of power dynamic (Asking Alexandria, BMTH, and *ahem* Capture The Crown), Jennings lowered himself alongside his audience to engage in the art of storytelling. We were all in on a fantasy, a secret, and I prefer that over bowing down to Your Royal Band-ness any day.

Alesana; photo by Natasha Van Duser
Alesana; photo by Natasha Van Duser

Conquer Divide came next, and while I’m thrilled about the idea of an all-girl post-hardcore band, the set fell flat. The songs were good enough, but the only two who had any semblance of stage presence were the unclean vocalist (Janel) and the drummer (Tamara). Here’s an example of a band that could afford to lord a little power over the crowd.

The Browning’s electronically infused metal was what really revved the fans into gear. Epic, danceable beats melded with As I Lay Dying-style vocals for killer, bouncy moshing–which isn’t as oxymoronic as it sounds. Maybe not everyone knew who The Browning were, but that didn’t stop them from partying and punching to each track. It was a set done with too soon.

Capture The Crown took the stage afterward. And if you think this is all happening a bit too quickly, you’re not wrong. Webster Hall was unnervingly punctual that night to a fault, imposing rapid set changes and even a 10pm curfew. The time restriction wasn’t the worst news of the night, however, as CTC bassist Maurice Morfaw announced that vocalist Jeffrey Wellfare wouldn’t be performing. In a dangerous turn of events, the band’s tour vehicle had put the members through some carbon monoxide poisoning, making vocal duties difficult for Wellfare (a name now slathered in irony). They brought on a friend to do replacement vocals; or rather, to pretend to do replacement vocals. The audio engineer essentially muted his mic and backtracked the vocals, which is disturbing on many levels for a live performance, but especially for a hardcore/metalcore show. After watching his band tank for two songs, Wellfare ran to the rescue and pushed past his initial coarseness to save the set. The old adage “the show must go on” held true, or how we at HXC like to phrase it, “STILL ALIVE!”

Finally, there are only so many ways to describe what it’s like to watch the frighteningly charismatic Alesana play live. The best way I can think to put it is this: When you watch Alesana live, you get the sense that you are watching modern day poets; artistry at its finest. They’re not just generic band dudes that win the crowd with ego. It is a much deeper, more transcendent experience than that. Like mad scientists in their laboratory, the band members laugh wide-eyed and maniacally, loving every minute of their intricately woven insanity. From creepy fan-favorite “The Murderer” to brand new “Oh, How The Mighty Have Fallen” to the reigning “Annabel”, Alesana filled the too-spacious room with passionate presence. Perhaps no one has ever hated curfew more. Until next year, boys. Same time same place? We’ll be there.

Alesana Announce Spring Tour with Capture The Crown, The Funeral Portrait and More

Alesana have announced a tour for April and May of 2015. The lineup includes Capture The Crown, The Browning, Conquer Divide, and Revival Recordings labelmates The Funeral Portrait. Tickets are officially on sale.

4/3 Winston-Salem, NC- Ziggys
4/4 Louisville, KY- Expo Five
4/6 Allentown, PA- Crock rock
4/7 Millvale, PA- Mr Smalls
4/8 Worcester, MA- The Palladium
4/9 New York, NY- Webster Hall
4/10 Buffalo, NY- Waiting Room
4/11 Cleveland, OH- Agora Ballroom
4/12 Westland, MI- The Token Lounge
4/14 Lansing, MI- The Loft
4/16 Indianapolis, IN- Emerson theater
4/17 Joliet, IL- Mojoes
4/18 Minneapolis, MN- Amsterdam
4/20 Des Moines, IA- Val Air Ballroom
4/21 St Louis, MO- Firebird
4/22 Kansas City, MO- Aftershock
4/23 Denver, CO- Marquis theater
4/24 Salt lake city, UT- In The Venue
4/25 Orangevale, CA- The Boardwalk
4/26 Bakersfield, CA- Jerrys Pizza
4/27 West Hollywood, CA- Whiskey a Go Go
4/28 Tucson, AZ- The Rock
4/29 Phoenix, AZ- Joes Grotto
5/1 Houston, TX- Warehouse Live
5/2 Austin, TX- Dirty dog
5/3 Dallas, TX- Curtain club